The Art of Seeing – Vermeer

I am one of the first to say that I learn more from contemporary artists than artists of the past. But, I should now change that. I just watched the most interesting documentary about Vermeer, and I hope you will, too.

Johannes Vermeer lived only some 42 years, and left no written details about who he was and how he lived. However, clues through a close inspection of his paintings show a man of incredible grace, someone who could project the image his viewers would see, guide their eyes like an illusionist and reward us with the tiniest, yet essential, detail. He also loved women.

Johannes Vermeer’s The Music Lesson

The documentary provides expert opinion that digs deep into how Vermeer created his images. From the colour of the ground layer, and glaze upon glaze of thin then thick paint to build up forms without harsh edges to the finishing touches of light, he was a master of colour. Vermeer painted wet on wet and his paintings look almost out of focus. But, focus is exactly what he excelled at – the focus of the viewer’s eye into the painting to see just what Vermeer wanted the viewer to see.

He played with his surroundings. He brought in angles, took out shadows, emphasized some aspects, sent others into darkness. He took light and made it work, and didn’t need to be accurate to what was in view. He tilted mirrors, added in his painting easel, removed one of the easel’s legs because it just would have crowded the image, various changes that really could not possibly be accurate…all to narrate a scene and tell the viewer what he wanted the viewer to see.

I could go on. Suffice to say, please take one hour to watch the documentary. There is so much held in this description of such an incredible master that a beginner, intermediate, even a seasoned old great can learn the art of seeing and adapt future paintings to reflect this knowledge.

I hope you enjoy the documentary. Let me know what you think and whether it will change how you paint, even in the smallest of ways. I’m off to build up layers of glazes and soften some edges.

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